Awards season is coming, and the MNET Asian Music Awards (hereafter referred to as MAMA) is kicking things off with a bang! It’s only been two days, and my social media feeds are already filled with people discussing the nominations. As I write this, fans all over the world are diligently trying to get on MNET’s bugging website and vote for their favorites. I’m multifandom, so I’m having a really hard time choosing. Also, my computer seems to hate that site. So I thought I’d do something a little different!
On September 20, digital music platform Soribada hosted their first ever BEST K-MUSIC AWARDS. Eligible songs were from September 2016 to August 2017, with online voting starting in July.
New Korean Wave Producer Award: Iggy Youngbae (I assume for a GFriend song)
New Korean Wave Music Video Award: Zanybros (I’m not sure if they were nominated for a specific MV, but they worked with many of the artists that were there: B.A.P., Mamamoo, GFriend, KNK, Wanna One)
New Korean Wave Music Star Award: Sonamoo and KNK
New Korean Wave OST Award: Ailee, “I Will Go to You Like the First Snow” (Goblin)
New Korean Wave Rookie Award: Pentagon and Wanna One
New Korean Wave Popularity Award: EXO
New Korean Wave Icon Award: Red Velvet
New Korean Wave Trot Award: Tae Jin Ah and Hong Jin Young
New Korean Wave Global Achievement Award: Eru
New Korean Wave Photogenic Award: DIA
New Korean Wave Rising Hot Star Award: WJSN and Wanna One
New Korean Wave Voice Award: Han Dong Geun
New Korean Wave Performance Award: NCT 127 and gugudan
New Korean Wave Artist Award: BTS (not in attendance)
2017 SOBA 11 (aka the Bonsang Prizes): Hwang Chi Yeul, T-ara, BTOB, EXO, Vixx, B.A.P., Mamamoo, Red Velvet, GFriend, Monsta X, Twice
Digital Daesang: Twice
Daesang (grand prize): EXO
I was originally going to do a recap, but there wasn’t all that much to sum up. Groups won awards, gave speeches, and performed their latest hits; there weren’t any special stages or collaborations. And all the artists stayed backstage, so it’s not like I can comment on their reactions to each other. Also, the streaming on V-Live was terrible. There was this weird echo/loop on the audio for the first thirty minutes, and the image kept cutting out or going out of sync. I know it’s a first time show, but those are some serious growing pains.
I’m not sure how much of a big deal these awards are or will be, especially compared to long-standing shows like MAMA, Melon, or Gaon Chart. It’s kind of strange that certain habitual award recipients like BTS, GOT7, BLACKPINK (and/or any YG artist), and Seventeen are nowhere to be seen. (BTS literally just started their comeback and they did send an acceptance speech, but it’s still a little weird) And to be honest, I don’t know what half of those awards mean or what the criteria was for deciding any of them. But I’m really impressed with the diversity of the artists they awarded. They’re mostly all groups big in the last five years, but there’s still a wide variety. And I’m really happy with the attention they gave to all those rookies. They all deserve more recognition, and I’m glad they got it. I’ll be interested to see if Soribada does this again next year and how it will be – hopefully a better streaming experience!
Sources: V-Live, Soompi, Wikipedia
Oh my gosh, May feels like forever ago. K-pop moves so darn fast. There wasn’t a whole lot going on in the beginning (because of elections?), but the last week brought a whole rush of comebacks that threw me off schedule. I considered skipping this post altogether because it’s been so long, but ultimately my
perfectionism need to be consistent won out. Plus there were a lot of great songs this month. May may not have had a lot of new music, but there was a lot of diversity. All of my favorite songs this month are very different in terms of sound, and I’m loving it.
Sometimes I feel like I have a love-hate relationship with Twice. I really like them, but I get frustrated because I think JYP isn’t using them to their full potential (the agency, not the person). They have catchy songs, appealing personalities, and stunning visuals – but we all know that by now. I wanted to see them try something new, and it seemed like JYP was more and more determined to stick to what works. “Signal” isn’t exactly the radical change I was hoping for, but it’s different enough from their previous hits that I’ll take it. It’s not their best song so far, but it’s super cute and pretty darn fun.
While there were several newer groups like K.A.R.D. that had strong comebacks, February belonged to the heavy hitters. Red Velvet dominated the first half of the month, while top groups of 2016 BTS and Twice battled it out in the second. Powerhouse Taeyeon ended the month on a high note with a solid album. There was a lot going on, but there was a lot to enjoy.
It’s amazing how far Twice has come in such a short time. They’ve accomplished so much in a year and a half! 2016 was very good to them, and it seems that 2017 will be no different. In the space of its short promotion, “Knock Knock” has topped the charts, gone head to head with BTS for Youtube records, and snagged some music show wins to boot. It looks like the “TWICEcoaster” has no chance of slowing down.
Maybe it’s because these songs were released more recently and I haven’t had time to get bored with them, but I feel like a lot of my favorite songs of the year were released in the fall. That is to say, a lot of songs that I would probably put in my Top 10 of 2016. I thought that there were a lot of comebacks in the summer, but I was wrong. There were so many comebacks and so much to listen to! It seems that this has continued into January, and I already have a long list of songs that I really like.
*Note: The month that these songs are listed under refers to the period where I listened to it the most, not the actual release date (since some were released in the final days of the month).