KCON’s Day 1 concert was amazing, but Day 2 ended up being more memorable for me in the long run. I always laugh when I look back at my phone videos, because there is a HUGE difference between my reactions on both nights. On the first day, I was so starstruck by seeing K-pop idols up close (one in particular) that I barely made a peep the entire time. (I did however, manage to rally for my girl Irene.) Thankfully, the novelty of seeing so many celebrities faded as the weekend went on. By the time I entered the Prudential Center again, I was ready to jump up and down and cheer with the rest of the crowd.
At this point, KCON New York happened a full month ago… yet I still find myself thinking about it every day. There’s so much to share that I’m making several posts, but I think covering the convention is a good place to start! This was the first time I’ve been to such a large scale K-pop event, so I was really looking forward to seeing and doing everything KCON had to offer. Since it was my first time, I decided to give some basic information and my general impressions for people who are thinking of going next year – or for people who already went and want to compare notes!
It’s been a long and unexpected hiatus (5 months exactly – more on that in an upcoming post). K-pop is a fast moving industry, and most of the groups that I’ve chosen for this post have already made comebacks or are releasing new music imminently.
Just waiting on you, EXO BUT, I’m the type of person who tries to see things through no matter how behind I find myself. Leaving this post out would drive me nuts when I’ve already finished all the others. So, please join me on a blast back to recent past as I celebrate the songs that completely captured my heart in 2017!
Okay, let’s get the obvious stuff out of the way: there are a bunch of boy groups in this post. Apparently, this is the part where I decided to put all the comebacks that have attractive men with intense auras. (Fortunately, the rest of the Top 50 will be more diverse!) I tried to be as articulate as usual, and not just write fancy versions of “OMG I love [insert group name here]” or “[Insert bias name here] is so attractive.” I think I did pretty well, but I’ll still warn you that the fangirl in me might occasionally take over. Continue reading
The songs in the last post ended up being pretty diverse, with lots of different styles and moods. This time, the majority of them happen to be really upbeat and catchy. There are a few that are more emotional and introspective, but I think it’s safe to say my preference for dance tracks will be more prominent from now on. We’re also going to see my love for a certain agency’s artists start to come into play (
I don’t do it on purpose, I swear!), but rest assured – I’m still committed to being as multifandom as possible!
About a year ago, I kicked off this blog with my 50 favorite K-pop songs of 2016 listed by season. This time, I decided it would be fun to do an “official” ranking. So, I grabbed a set of index cards and wrote down all the songs I wanted to talk about… only to end up with 100 tracks instead of the planned 50. I change my favorites constantly, so I probably should have known how it would go. After all, this is what happens when you’re unapologetically multifandom. I eventually narrowed my choices down to a Top 50, but I decided to make the extra effort and do a “bonus” post. I wanted to share the other songs I liked, and it’s always important to promote good music!
Awards season is coming, and the MNET Asian Music Awards (hereafter referred to as MAMA) is kicking things off with a bang! It’s only been two days, and my social media feeds are already filled with people discussing the nominations. As I write this, fans all over the world are diligently trying to get on MNET’s bugging website and vote for their favorites. I’m multifandom, so I’m having a really hard time choosing. Also, my computer seems to hate that site. So I thought I’d do something a little different!
This was a crazy month for K-Pop. There was so much going on it took me all the way through September to catch up! It’s probably because I spent most of August focusing on SNSD’s 10th anniversary and Wanna One’s debut, but there were plenty of great new releases. Sometimes these posts are biased because I just keep mentioning the same groups over and over again…but this time I’m going to try and cover as many as I can!
I feel like I’m always mentioning the large amounts of music released every month, but August was something else. There were so many artists that I had to make three different posts!!! Now you can see why I’ve decided to consolidate my reviews in the long run. I already covered a lot of rookies in the Produce 101 alumni post, but there are some others that I think are worth noting. Aside from NCT Dream, these are groups that either just debuted or rookies I haven’t really checked out. I usually don’t pick groups I’m unfamiliar with, so this will be a different perspective.
On September 20, digital music platform Soribada hosted their first ever BEST K-MUSIC AWARDS. Eligible songs were from September 2016 to August 2017, with online voting starting in July.
New Korean Wave Producer Award: Iggy Youngbae (I assume for a GFriend song)
New Korean Wave Music Video Award: Zanybros (I’m not sure if they were nominated for a specific MV, but they worked with many of the artists that were there: B.A.P., Mamamoo, GFriend, KNK, Wanna One)
New Korean Wave Music Star Award: Sonamoo and KNK
New Korean Wave OST Award: Ailee, “I Will Go to You Like the First Snow” (Goblin)
New Korean Wave Rookie Award: Pentagon and Wanna One
New Korean Wave Popularity Award: EXO
New Korean Wave Icon Award: Red Velvet
New Korean Wave Trot Award: Tae Jin Ah and Hong Jin Young
New Korean Wave Global Achievement Award: Eru
New Korean Wave Photogenic Award: DIA
New Korean Wave Rising Hot Star Award: WJSN and Wanna One
New Korean Wave Voice Award: Han Dong Geun
New Korean Wave Performance Award: NCT 127 and gugudan
New Korean Wave Artist Award: BTS (not in attendance)
2017 SOBA 11 (aka the Bonsang Prizes): Hwang Chi Yeul, T-ara, BTOB, EXO, Vixx, B.A.P., Mamamoo, Red Velvet, GFriend, Monsta X, Twice
Digital Daesang: Twice
Daesang (grand prize): EXO
I was originally going to do a recap, but there wasn’t all that much to sum up. Groups won awards, gave speeches, and performed their latest hits; there weren’t any special stages or collaborations. And all the artists stayed backstage, so it’s not like I can comment on their reactions to each other. Also, the streaming on V-Live was terrible. There was this weird echo/loop on the audio for the first thirty minutes, and the image kept cutting out or going out of sync. I know it’s a first time show, but those are some serious growing pains.
I’m not sure how much of a big deal these awards are or will be, especially compared to long-standing shows like MAMA, Melon, or Gaon Chart. It’s kind of strange that certain habitual award recipients like BTS, GOT7, BLACKPINK (and/or any YG artist), and Seventeen are nowhere to be seen. (BTS literally just started their comeback and they did send an acceptance speech, but it’s still a little weird) And to be honest, I don’t know what half of those awards mean or what the criteria was for deciding any of them. But I’m really impressed with the diversity of the artists they awarded. They’re mostly all groups big in the last five years, but there’s still a wide variety. And I’m really happy with the attention they gave to all those rookies. They all deserve more recognition, and I’m glad they got it. I’ll be interested to see if Soribada does this again next year and how it will be – hopefully a better streaming experience!
Sources: V-Live, Soompi, Wikipedia