Katherine’s Top K-Pop Releases of 2018: #11-20

Though I consume a lot of K-pop (clearly), I don’t actually spend a lot of time listening to the same songs. I tend to really get into a group’s new single for however long they promote it, and then I file it away and move on to the next track of the week. So althoughContinue reading “Katherine’s Top K-Pop Releases of 2018: #11-20”

Katherine’s Top K-Pop Releases of 2018: #21-30

I call this part of the list the “Favoritism” section. That might seem a little weird since we’re basically halfway through the series, but it’s because I changed things up this year. I decided to allow more than two songs by my favorites groups because it was a more accurate reflection of what I reallyContinue reading “Katherine’s Top K-Pop Releases of 2018: #21-30”

Katherine’s Top K-Pop Releases of 2018: #31-40

I use a lot of different criteria to determine my Top 50, which means that these songs are rarely ever grouped thematically in my posts. However, this particular set does happen to have a common thread: they’re all songs that I think were successful from both a musical and an artistic standpoint. The groups belowContinue reading “Katherine’s Top K-Pop Releases of 2018: #31-40”

Katherine’s Top K-Pop Releases of 2018: #41-50

You might have noticed that I labeled this series of posts “Top K-pop Releases” instead of “Top K-pop Songs.” That’s because I believe there’s a lot more to a group’s comeback or debut than just the song. While the music should always be the main focus, there are so many other elements that can shapeContinue reading “Katherine’s Top K-Pop Releases of 2018: #41-50”

Katherine’s Top K-Pop Releases of 2018: Intro and Special Mentions

It’s that time of year again! Starting today, I’ll be releasing my usual set of end of year posts and walking you through my favorite debuts and comebacks of 2018. It was a pretty great year for K-pop, so there was a LOT to cover – but it was great to go back through allContinue reading “Katherine’s Top K-Pop Releases of 2018: Intro and Special Mentions”

Katherine’s Top K-Pop Releases of 2017, Part Six: #1-10

It’s been a long and unexpected hiatus (5 months exactly – more on that in an upcoming post). K-pop is a fast moving industry, and most of the groups that I’ve chosen for this post have already made comebacks or are releasing new music imminently. Just waiting on you, EXO BUT, I’m the type ofContinue reading “Katherine’s Top K-Pop Releases of 2017, Part Six: #1-10”

Katherine’s Top K-Pop Releases of 2017, Part Five: #11-20

This is probably the most personal section of my list.  I tend to naturally follow the trends, so most of my Top 10 songs were really popular in Korea or internationally (or both). But interestingly enough, this second tier speaks a lot to my more individual tastes. Given the content of half of these songs,Continue reading “Katherine’s Top K-Pop Releases of 2017, Part Five: #11-20”

Katherine’s Top K-Pop Releases of 2017, Part Four: #21-30

Okay, let’s get the obvious stuff out of the way: there are a bunch of boy groups in this post. Apparently, this is the part where I decided to put all the comebacks that have attractive men with intense auras. (Fortunately, the rest of the Top 50 will be more diverse!) I tried to be asContinue reading “Katherine’s Top K-Pop Releases of 2017, Part Four: #21-30”

Katherine’s Top K-Pop Releases of 2017, Part Three: #31-40

The songs in the last post ended up being pretty diverse, with lots of different styles and moods.  This time, the majority of them happen to be really upbeat and catchy.  There are a few that are more emotional and introspective, but I think it’s safe to say my preference for dance tracks will beContinue reading “Katherine’s Top K-Pop Releases of 2017, Part Three: #31-40”

Katherine’s Top K-Pop Releases of 2017, Part Two: #41-50

It’s hard doing rankings when you’re multifandom. Your favorites change like clockwork, and you literally like everything. I’ve been stubbornly pretending I don’t have a new ultimate bias for a month now, because I’ve switched four times this year alone. The only thing that’s ever certain is that you want all your bias groups toContinue reading “Katherine’s Top K-Pop Releases of 2017, Part Two: #41-50”