Katherine’s Top K-Pop Releases of 2017, Part Five: #11-20

This is probably the most personal section of my list.  I tend to naturally follow the trends, so most of my Top 10 songs were really popular in Korea or internationally (or both). But interestingly enough, this second tier speaks a lot to my more individual tastes. Given the content of half of these songs, you could probably guess where my mind was at in 2017.  But regardless of subject matter, these are all good quality tracks. This part of the list contains the music I had a soft spot for this year, the songs that I absolutely loved and listened to constantly when they came out. Though I may have occasionally taken a break or been swayed by comebacks from my bias groups, I always returned in the end.   Continue reading

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Katherine’s Top K-Pop Releases of 2017, Part Four: #21-30

Okay, let’s get the obvious stuff out of the way: there are a bunch of boy groups in this post. Apparently, this is the part where I decided to put all the comebacks that have attractive men with intense auras. (Fortunately, the rest of the Top 50 will be more diverse!) I tried to be as articulate as usual, and not just write fancy versions of “OMG I love [insert group name here]” or “[Insert bias name here] is so attractive.” I think I did pretty well, but I’ll still warn you that the fangirl in me might occasionally take over. Continue reading

Katherine’s Top K-Pop Releases of 2017, Part Three: #31-40

The songs in the last post ended up being pretty diverse, with lots of different styles and moods.  This time, the majority of them happen to be really upbeat and catchy.  There are a few that are more emotional and introspective, but I think it’s safe to say my preference for dance tracks will be more prominent from now on.  We’re also going to see my love for a certain agency’s artists start to come into play (I don’t do it on purpose, I swear!), but rest assured – I’m still committed to being as multifandom as possible!

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